Achieving 30x30: Percentages Matter, We’re All in This Together, and What You Do to Help Counts Big-time

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Green space in the Chicago region (credit:  Chicago Wilderness Alliance ) Did you know that back in December, one of the most important planetary environmental agreements in history got approved in Montreal? This would be the “Kunming-Montreal Global Biodiversity Framework” (GBF), approved by the 15th Conference of Parties to the UN Convention on Biological Diversity, which clearly states the goal of protecting, conserving, and restoring 30% of Earth’s lands and waters by 2030. Not only was another opening created for the concept that non-human species have the right to exist and live their lives according to their kind in appropriate habitats, but indigenous peoples were included and given their due as primary keepers of land. If countries actually follow through on commitments (one of the biggest ifs) there might be a chance that biodiversity could start recovering, and we might have a chance of getting to half-earth by 2050. By providing enough habitat for 80% of species on earth, t
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April is Poetry Month 2014: Kumin's "The Brown Mountain"

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Maxine Kumin
This past year, we have lost fine poets that I grew up reading. Seamus Heaney, Derek Walcott and Maxine Kumin all made nature their poetic home and the source of their word-hoards.  Each was from a different home ecosystem and thus utilized different language and imagery. Yet their subject matter carried in common the themes of beauty, death, love, and life with others that great lyric poetry entails. Walcott’s high-flown eloquence, Heaney’s stubborn earthiness, Kumin’s plain speech; all are worth reading and savoring.

Just recently I was out in the backyard stirring my still-frozen compost heap, muttering incantations--imprecations--under my breath as I endeavored to wake it up for spring.  Maxine Kumin lived on a horse farm, and her compost heap was of another order entirely. For Poetry Month this year I present her meditation on compost.

The Brown Mountain

What dies out of us and our creatures,
out of our fields and gardens,
comes slowly back to improve us:
the entire mat of nasturtiums
after frost has blackened them,
sunflower heads the birds have picked clean, the still
sticky stalks of milkweed
torn from the pasture, coffee grounds,
eggshells, moldy potatoes,
the tough little trees that once 
were crowded with brussels sprouts,
tomatoes cat-faced or bitten into
by inquisitive chipmunks,
gargantuan cucumbers gone soft
from repose. Not the corn stalks and shucks,
not windfall apples. These
are sanctified by the horses.
The lettuces are revised
as rabbit pellets, holy with nitrogen.
Whatever fodder is offered the sheep
comes back to us as raisins
of useful dung.

Compost is our future.
The turgid brown mountain
steams, releasing
the devil's own methane vapor,
cooking our castoffs so that from
our spatterings and embarrassments--
cat vomit, macerated mice,
rotten squash, burst berries,
a mare's placenta, failed melons,
dog hair, hoof parings--arises
a rapture of blackest humus.
Dirt to top-dress, dig in. Dirt fit
for the gardens of commoner and king.
 (From Where I Live: New and Selected Poems 1990-2010)

Related Posts:
Walt Whitman, Deep Ecologist (Poetry Month 2013)
April is Poetry Month 2011
Gardener's Work
National Poetry Month in the Garden (2010)

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